Master Quality Protocol

Every project runs through the same production pipeline regardless of package — the difference between tiers is turnaround speed and runtime, never the underlying quality bar. What follows is that bar, in plain terms.

Every subject is mapped against a 68-point facial mesh before any cinematic blending begins, calibrating for your natural bone structure, skin tone and expression range rather than forcing a generic template. Micro-expressions, eye warmth and genuine smiles are preserved deliberately — the goal is a heightened, cinematic version of you, not a synthetic stand-in.

Final kinship/identity match is verified before delivery to confirm the result reads unmistakably as you, at the quality bar shown across our showcase reels.

All audio — dialogue, music beds and any live-recorded speech — is balanced to the ITU-R BS.1770-4 broadcast loudness standard at −14 LUFS. In practice, this means no jarring volume jumps between a quiet speech moment and a music swell when your film plays through a venue's sound system, so the room never has to reach for a volume knob mid-screening.

Standard delivery is a 1080p theatrical master, encoded for smooth, plug-and-play playback across projectors, smart TVs and USB drives. A 4K master is available on request for larger venue screens or archival keeping — ask your producer when you book.

Every master is test-played against the playback scenarios our clients actually use it in: hotel banquet projectors, smart TV apps, USB drives handed to a DJ or AV technician, and laptop HDMI-out. We guarantee 100% plug-and-play compatibility with standard venue equipment — if your venue's system can't play the file we deliver, we'll re-encode it at no charge.

Before any cut reaches you, it goes through an internal review separate from the editor who built it — checking facial consistency across every scene cut, audio levels against the LUFS target, colour continuity, and that every requested detail from your brief actually made it into the film.

Every package includes a revision round on the draft cut — timing adjustments, music swaps, trims to specific scenes. We'll always tell you plainly if a request falls outside what a revision covers (a full scene re-shoot concept, for instance) before doing any extra work, rather than surprise you with it later.

Standard delivery timelines are confirmed at booking based on your event date and package. A 48-hour rush service is available for time-sensitive bookings at an additional fee — flagged clearly on the pricing tiers before you reserve your slot.